Among
the commonly seen chali is the Markini Chal. This is a semicircle
stretching from one end of the idol to the other supported by two
pillars.
Bangla chal follows the tradition found in temple architecture. The
chali extends on both side of the idol in a suspended pattern. The
chali is lengthy enough to fit figures like Shiva, Dashabatar of Vishnu
and Dashamahavidya of Durga.
Mothchouri
chal has three continuous semicircular divisions like a wave with
three peaks.
Tanachouri chal though resembles to some extent the Mothchouri chal
it doesn't have the three divisions but here the peaks are prominent.
Chalis' differ in their
shape as in their themes. Generally chalchitra deals with themes like
Shiva at Kailash and Durga sitting
in a two-storied building carrying Ganesha at the center. Two extreme
corners narrate two battlefields. One battle was fought between Sumbha-nishumbha
and Devi Kaushiki, a part of Durga, where Kali was born to kill these
two demons.The other battle depicts killing of the demons Chanda-Munda
by Chamundi.
Mothchouri
Chal
In
between region are covered by themes like Radha-Krishna at Brindaban
and Coronation of Ram at Ayodhya.
Shiva forms an important part of Chalchitra sometimes in relief.
Centrally placed he is found in different postures and moods.
He is found playing a Vina, smoking ganja, dancing, riding Nandi
(his ox) and even sleeping
In older days when the length of the chalies were more, stories
from Mahabharata and Ramayana, besides pictures of Dashamahabidya
of Durga, Asthanayika, Asthasakhi, Dashabatar of Vishnu etc.
were painted. When
making a chalchitra a patua has to keep in mind the religious
background of the family.
For
a Shakta (worshipper of mother goddess) family the tiger would retain
its original form, while for a Baishnava family the same lion would
look like a white horse, a form of the Narasimha Avatar of Vishnu.
Blue
is used as a base with a few exceptions of pink ones. The figures
are generally painted in reds. Other colours used are yellow, green,
pink and black. In some occasions the chali used to be divided with
dark margins like "Choukopots" having images like Narada, Narayana,
Shiva, Indra Brahma. In some other region the figures are found
to be floting. But in all cases only the profile of the figures are
shown.
Lack
of patronage has brought a decline to this lively art. Besides as
the challis are generally immersed with the idols no legacy is found.
Present day artists are inferior in talent as they have lack of
in depth knowledge of Puranas. Besides a few Royal houses of Bengal
and a few traditional houses and museums there is always unawareness
for its preservation among common people. Nowadays Chalchira is
used as a part of decoration with a few common decorative motives.
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